Blurred edges

Backdrop-filter: blur.
Adding a blur to the backdrop-filter property in CSS invites a user to scroll down or up in a page, while emphasising the focus on the center of the page or section where the blur is applied. If you want to dive a bit deeper on the topic of this CSS trick, Josh Comeau has a great write-up about it.In the example below, I have applied a vertical fade to the top and bottom of text container (I have applied it to both to emphasise the effect, while throughout my website, I only apply it to the bottom of the website for a more subtle feel). Kudos to anyone who recognises what movie the script is from.

MAX

(whispering)

Why'd you have to do that? You couldn't wound him? The guy had a family, maybe parents, kids who gotta grow up without a dad, he was a good guy, and he believed me...


VINCENT

I shoulda saved him 'cause he believed you...?


MAX

No, not just that.


VINCENT

Yeah, that...


MAX

Yeah, so, what's wrong with that?


VINCENT

It's what I do for a living...


MAX

Some living.


VINCENT

Head downtown...


MAX

What's downtown?


VINCENT

How are you at math? I was hired for five hits. I did four.


MAX

(grim)

One more.


VINCENT

There you go...!


MAX

Whyn't you kill me and find another cab.


VINCENT

'Cause you're good.

(shrugs)

We're in this together. Youknow...fates intertwined. Cosmic coincidence. All that crap...


MAX

You're full of shit.


VINCENT

I'm full of shit?

(beat)

You're a monument of it. You even bullshitted yourself, all I am is taking out the garbage. Bad guys killing bad guys...


MAX

'Cause that's what you said...


VINCENT

And you believe me...?


MAX

What'd they do?


VINCENT

How do I know?

(beat)

But, they all got that "witness for the prosecution" look to me. It's probably some major federal indictment against somebody who majorly does not want to get indicted... I dunno.


MAX

That's the reason?


VINCENT

That's the "why." There is no reason.

(beat)

No good reason; no bad reason. To live or to die.


MAX

Then what are you?


VINCENT

(looks up)

...indifferent.


Vincent hesitates, then back out the window...


VINCENT (CONT'D)

Get with it. Get over it. ...millions of galaxies of hundreds of millions of stars and a speck on one in a blink...that's us. Lost in space. The universe don't care (about you).

(beat)

The cop, you, me? Who notices?


MAX

What's with you...?


VINCENT

As in...?


MAX

Man, if someone had a gun to your head and said: "You gotta tell me what's goin' on with that person across the street, there, what they think, who they are, how they feel, or I will kill you"...they'd have to kill you...wouldn't they...?

(beat)

'Cause you don't have a clue...about...anyone.

(struggling for the words)

...I don't think you, you have a clue, period. Did anyone "do" for you in your life...? Ever? When you draw breath in the morning? Open your eyes in the a.m.? You anticipate...anything? Want anything? Expect anything? I don't think so...

(beat)

'Cause you are low, my brother, way low... and some standard parts that are supposed to be there?...with you, aren't. So what happened to you, man? What happened to you?


VINCENT

...all the cabbies in LA, I get Max, Sigmund Freud meets Dr. Ruth...


MAX

Answer the question.


VINCENT

Look in the mirror.

(on the attack)

...with your paper towels...a bottle of 409...a limo company someday. How much you got saved?


MAX

None of your business.


VINCENT

Your business "plan?" Someday? "Someday my dream'll come..."?

(beat)

And one night you'll wake up and discover it all flipped on you. Suddenly you're old. And it didn't happen. And it never will. 'Cause you were never going to do it, anyway. The dream on the horizon became yesterday and got lost. Then you'll bullshit yourself, it could never have been, anyway. And you'll recede it into memory...and zone out in a Barcalounger with daytime TV on for the rest of your life...

(beat)

Don't talk to me about killing. You're do-in' yourself. In this yellow-and-orange prison. Bit by bit. Every day.


EXTREMELY CLOSE: Max is soaking up every word.


VINCENT (CONT'D)

All it ever took was a down payment on a Lincoln Town Car. What the hell are you still doing in a cab?


The needle on the speedometer is creeping past forty...


MAX

'Cause I never straightened-up and looked at it, you know...?


VINCENT

Slow down.


MAX

(igoring him)

...myself, I should have. My brothers did...

(beat)

Tried to gamble my way out from under. (That was) Another born-to-lose deal! Then, "it's gotta be perfect to go!" You know? Risk all torqued-down.


Needle pushing sixty...